Last May, at Christie’s New York, the painting Park Avenue Façade by Abstract Expressionist Michael Goldberg soared to $461,000, well above the $100,000 to $150,000 estimate set by the auction house. The new artist’s record was set by Michael Rosenfeld, the Manhattan gallery owner who represents Goldberg’s estate. The art dealer said he regularly buys Read More
“The Louvre forecasts 30% increase in attendance.” [The Art Newspaper]
A politician decides he has artistic license. [The Guardian]
Pussy Riot is suing Russia. [BBC News]
A new business plans to lease fine art to companies so they can decorate their offices for less. [NYT]
An upcoming book will explore the history Read More
Count Tracey Emin among the artists who enjoy using the iPad to work.
In 2004, a fire at an art-storage facility in London run by a company called Momart destroyed works by some 100 artists, including Tracey Emin’s iconic camping-tent sculpture Everyone I Have Ever Slept With 1963–1995 (1995). There are no plans to reconstruct the work. “It took me six months to make,” Ms. Emin has said. “I couldn’t remake that time in my life any more than I could remake the piece.”
Artist Tracey Emin will head to the small city of Margate, England, her hometown, for her first exhibition there ever.
Earlier this week, it was reported that Los Angeles artist Mark Grotjahn will be able to ski for free in Aspen all season long in exchange for designing special chairlift tickets, as part of an ongoing series hosted by the Aspen Art Museum.
Such bartered arrangements have a rich history. There are stories of Picasso and Matisse trading artworks to cover bar and cafe tabs in New York, Dalí paying for dinners with a quick sketch and a signature.
Quality restaurant art is nothing new, especially in New York. When it opened in the late ’50s, the Four Seasons Restaurant, in the iconic Seagrams Building, had art by Picasso, Miró and Jackson Pollock on the walls. (The dining room was meant to get a series by Mark Rothko, but he pulled out of the project, and the paintings now hang in three museums.) The food/art nexus may have culminated with the freewheeling 1970s, when Gordon Matta-Clark had his restaurant, Food, in Soho—compared with that, most restaurant offerings seem pretty staid. These days, you can go to Casa Lever, in the architecturally groovy Lever House, and gaze at myriad Warhol prints of celebrities—Hitchcock, Sly Stallone—while you’re eating your $52 “Costata” T-bone steak. And if you’re looking for something a bit more classical, there’s always Maxfield Parrish’s monumental mural, Old King Cole, which hangs elegantly above the bar in the St. Regis Hotel. But a new joint set to open by the end of the year is bringing New York restaurant art to a whole new level of downtown hipness.
“Charles!” Tracey Emin said at her book signing last night, greeting Rizzoli publisher Charles Miers, who’d just pushed through the crowd that crammed every inch of the small store’s space. “It’s a nightmare! Nobody showed up!”
Bookmarc, Marc Jacobs’ West Village book store, could barely contain the patrons who clamored for Ms. Emin’s signature—her latest offering My Life in a Column (Rizzoli) is a collection of her weekly dispatches for The Independent. Drinks came in the form of bubbly canned Sofia brand wine from the Francis Ford Coppola Winery, with mini juicebox straws included.