
Balloon Beasts, Rubber Tongues, Metal Men Abound on Tom Eccles’s VIP Sculpture Park Tour
Any lingering storm clouds hanging over yesterday’s VIP preview of Frieze New York were thoroughly blasted away by 4 p.m., when bright sunlight glinted off Paul McCarthy’s Balloon Dog (2013), an 80-foot, cherry-colored sculpture created especially for the fair. “Paul has sexualized the dog,” said the rakish Tom Eccles, former Public Art Fund director and this year’s Sculpture Park curator, as he led a few card-carrying VIPs up to the gigantic piece. Mr. Eccles pointed to the anatomically suggestive shapes of the Koons-esque animal, though they didn’t need much identification. Now executive director of the Center for Curatorial Studies at Bard, Mr. Eccles briefly discussed his curatorial work on Mr. McCarthy’s upcoming installation at the Park Avenue Armory. He described “WS,” which stands for “White Snow” and opens June 19, as a “gory, horrifying tale of Paul McCarthy as Disney, as Hitler, in love with Snow White.” (Spoiler alert: Mr. McCarthy is eventually destroyed by the seven dwarves, but not before he engages in “a sexual frenzy” with them and Snow White.) Read More






