Sophie Calle: ‘I Didn’t Want a Love Letter From Damien Hirst’

Sophie Calle, 2009. (Courtesy

In this month’s issue of The Believer, writer Sheila Heti visits French artist Sophie Calle for a tête-à-tête during the run of Ms. Calle’s piece, Room, for which, during one weekend last October, the artist outfitted a room at the Lowell Hotel in New York with personal items like a burnt mattress, a red wedding dress and a stuffed cat, and then stopped in from time to time to inhabit it. Commissioned by The French Institute Alliance Française as part of its annual contemporary art festival Crossing the Line, this was the latest in a line of intensely personal works by the artist, who is known for doing things like setting up a bed for a night on the Eiffel Tower and inviting guests to read her bedtime stories (Room with a View, 2002). Read More