The Revolutionary and the Reformist: Deborah Kass and Robert Storr at the New York Public Library

Deborah Kass, 'Blue Deb,' 2000. (Courtesy the artist and Paul Kasmin)

As she watched a handsome room on the second floor of the New York Public Library’s Stephen A. Schwarzman Building in Midtown steadily fill with people on Wednesday night, Deborah Kass looked pleased. “It’s all friends—it’s perfect,” she told a bespectacled gentleman setting up stacks of her first monograph, Deborah Kass: Before and Happily Ever After (2012), on a nearby table. Ms. Kass mingled amiably before the event—a conversation between her and curator Robert Storr held in conjunction with her recent mid-career retrospective at the Andy Warhol Museum in Pittsburgh, which closed last week. Ms. Kass wore black, down to her trademark velvet slippers bearing the words OY and YO in gold, just like her twin paintings of those words that play on Ed Ruscha’s iconic OOF (1962), which is in the collection of MoMA. Read More


Robert Storr on the L.A. MOCA Fiasco

52nd Venice Biennale artistic director R

Robert Storr, dean of the Yale School of Art, weighs in on the whole L.A. MOCA debacle over at HuffPost. He kicks off his piece by stating that he’s read Eli Broad’s self-help book, The Art of Being Unreasonable, and asks how someone as deft at business as Mr. Broad could be so “inept and self-defeating” at philanthropy. Ouch.

Mr. Storr continues to paint Mr. Broad and his “enabler” Jeffrey Deitch as two scheming characters in a Shakespearean tragedy whose judgment, clouded by self-interest, is causing the downfall of a great institution. (“Dismissing Paul Schimmel in favor of Deitch is like cashing in all your value stocks and doubling down on junk bonds for the sake of a long-shot windfall.”) It’s quite a read. Read More