Parties

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Santigold Brings Noise, Parasols to MoMA Garden Party

Santigold played a lively hour-long set at the Museum of Modern Art last night for its annual Party in the Garden gala, accompanied by a full band that wore Max Headroom style-plastic flattops. She was also joined by dancers who prowled every inch of the smallish outdoor stage, at one point opening the parasols they’d brought with them to add a little flamingo-like flourish to the strut. Read More

Review

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"How to Spell the Alphabet" (2005) by Tauba Auerbach.

Alphabet Soup: MoMA Pulls out the Classics and the Young Guns of Language Art

Language precedes us, the structuralist theorists said, and that goes for everyone, not just writers. Enter “Ecstatic Alphabets/Heaps of Language,” an ambitious new group exhibition at the Museum of Modern Art that shows 44 artists from the past 100 years taking on letters, punctuation marks, chunks of written language and numbers too, and twisting, expanding and generally transforming them in all sorts of illuminating ways. Read More

Museums

Mr. Koons. (Courtesy Cindy Ord/Getty Images)

Report: Jeff Koons Retrospective in the Works From Whitney, Pompidou and MOCA L.A.

At the end of his article on Centre Pompidou President Alain Seban’s plans to expand into modest temporary locations in Brazil, Russia, India and China, The Art Newspaper‘s Gareth Harris drops this epic little bit of news: “…a Jeff Koons retrospective organised with New York’s Whitney Museum of American Art and the Museum of Contemporary Art, Los Angeles, is due to open at the Centre Pompidou in 2014.” Read More

Talks

A still of Andrea Fraser in her 2001 video "Little Frank and His Carp," set in the Guggenheim Bilbao. (Courtesy the artist and Petzel Gallery, New York)

At MoMA, Andrea Fraser on a Life Spent Addressing ‘Factories of Edification and of Taste’

“When I moved to New York at 16, as Sabine mentioned, I encountered the great museums of New York—the Museum of Modern Art, the Metropolitan, the Whitney, the Guggenheim,” the artist Andrea Fraser told a crowd at MoMA last night. “I found them absolutely terrifying. I found them incredibly intimidating, with their overwhelming legitimacy, their overwhelming authority.” Read More