galleristny in venice
These days, with newspaper headlines that alternate between gun violence and Disney pop stars, we seem to be living in Llyn Foulkes’s America. The still-somewhat-obscure 78-year-old artist, whose retrospective is now at the New Museum, came of age in Washington State in the late 1940s and early 1950s—juvenilia show him drawing Mad-magazine-inspired caricatures of the square types in his small town—but he is strongly identified with Los Angeles, where he has lived for most of his life. Drafted into the army, he lived briefly in Germany before settling in L.A., where he studied art at Chouinard and became part of the burgeoning scene around the famed Ferus gallery. The nearly 100 works in this exhibition, curated by Ali Subotnick of L.A.’s Hammer Museum, form a compelling portrait of that endangered, quintessential American character—the eccentric outsider, critical of the system and hell-bent on doing things his own quirky way.
Spring Arts Preview 2013
François Pinault may be down a Boy with Frog, but the French billionaire is still giving the Biennale a run for its money.
Ever since he opened his Palazzo Grassi private museum in 2007, on the eve of that year’s Venice Biennale, Mr. Pinault and his curator (first Alison Gingeras, and, for the past few Read More
At Documenta 13 last summer, the rotunda of the Museum Fridericianum in Kassel, Germany, served as the nexus for the town-sized show, a tightly curated “brain” that featured Giorgio Morandi still lifes hung near actual bottles from Mr. Morandi’s studio and Man Ray’s Object to be Destroyed, a metronome embellished with a photograph of Lee Miller’s eye. Lodged somewhere in the Documenta skull, then, was new work from Los Angeles-based artist Llyn Foulkes, whose art showed in a dark upper hall in the Fridericianum. His retrospective at L.A.’s the Hammer Museum comes to New York’s New Museum on June 12.
Jim Hodges landed heavily in Gladstone’s two Chelsea galleries last week with five improbably delicate investigations of the overlapping space between ancient Eastern divination and aleatoric art, carried out with outside fabricators, a jackhammer and heavy moving equipment.