The improbably named artist Liz Magic Laser has been watching and reading a lot of political interviews. “The conceit of the political interview,” she told The Observer in her studio in Dumbo, “is that you’re getting to see the real person, that they’re exposing themselves in some way—that this important, influential figure is performing a breach in their performance. I started to look at this as a form of dramaturgy.”
Ms. Laser’s words call to mind the ancient Greeks, who brought theater, oration and representative politics into the world. They could hardly have imagined that the combination of them would result in today’s political circus, where an entire nation tunes in to watch Sarah Palin go hunting, John Boehner cry, the government nearly shut down, the president purchase a dog.
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