Openings

Giverny Meets the Emerald City at the Hole

E.V. Day and Kembra Pfahler, 'Giverny' (Photo courtesy Rozalia Jovanovic)

Friday night, true to the words of gallerist Kathy Grayson, her gallery, the Hole, had been transformed into Monet’s gardens at Giverny, or as close an approximation as can be had on the Bowery. The installation was created to house the photographs taken by E.V. Day of Kembra Pfahler at Giverny in Ms. Day’s signature futuristic style, which feature a campy twist: Ms. Pfahler, nude, covered in brightly colored paint. Read More

Profiles

Filling the Hole: Deitch Protégé Kathy Grayson Brings Monet’s Garden Into Her Gallery

10 Photos

E.V. Day and Kembra Pfahler, Untitled 7

Earlier this month, the 31-year-old art dealer Kathy Grayson was in her gallery, the Hole, speaking over a saw buzzing in the background. She was awaiting the arrival of 100 bags of pea gravel, 2,500 square feet of synthetic turf, four types of pond grasses, six cherry blossom trees, three willow trees, five dozen water lilies, dozens of tulips and stalks of bamboo, and a Japanese bridge to stretch over a pond. At the behest of the artists Kembra Pfahler and E.V. Day, she was transforming the Hole, for a month, into a recreation of Claude Monet’s garden at Giverny, where the painter spent the final years of his life and painted his famous Water Lilies. Once the garden was complete, she would hang in it 12 photographs Ms. Day took, on an artist residency at Giverny, of Ms. Pfahler posing in the gardens in her role as lead singer of glam-punk band the Voluptuous Horror of Karen Black: naked, save for thigh-high boots, head-to-toe body paint and a black wig teased into a two-foot-high rat’s nest. Read More