Holland Cotter Talks Bushwick
New York Times art critic Holland Cotter’s review of Bushwick Open Studios contains a nice little walk through of New York’s incessant rent hikes: Read More
New York Times art critic Holland Cotter’s review of Bushwick Open Studios contains a nice little walk through of New York’s incessant rent hikes: Read More
Two bits of news about The New York Times’ co-chief art critics, Robert Smith and Holland Cotter, just came across our desk. Read More
As we move into the second half of October, much of the art crowd is off in London for Frieze. Next week, a good portion of it will move to Paris for FIAC, returning to New York as temperatures begin to drop and dealers ready their second shows of the season. Nevertheless, critics have been busy on these shores. In The New York Observer this week, Will Heinrich reviewed Algus Greenson’s just-closed “Invitation to the Voyage” and declared that it “could easily pass for a small museum show.” Below we offer a quick look at what critics are saying elsewhere. Read More
Holland Cotter, from The New York Times, October 13: “Artists copying without acknowledgment is, of course, an old story. The problem with ‘The Asia Series,’ though, is that not even whispers of potential ethical impropriety can make these paintings interesting to look at, which — unless there’s some Duchampian gesture afoot here — is what Mr. Dylan presumably means them to be. The color is muddy, the brushwork scratchily dutiful, the images static and postcard-ish. The work is dead on the wall.” Read More
Affordable Housing or Lack Thereof
