public art

On Tap in Manhattan: ‘Williamsburg’ Brew

Josh Kline, 'Cafe Gratitude,' 2012. Installation view from 'Public Relations' at Night Gallery, Los Angeles. (Courtesy the artist)

Curator Cecilia Alemani has recently been watching hi-tech gadgets, hipster snacks and bits of clothing get reduced to liquid in a blender. Artist Josh Kline is the man hitting the start button, preparing a sculpture that Ms. Alemani, the director of the High Line’s art program, has commissioned for her latest group show in the elevated park. The piece will be a commercial refrigerator stocked with smoothies designed for various lifestyles. The ingredients in the “Williamsburg” brew include kale chips, Kombucha and an American Apparel T-shirt. The “night life” is a concoction of Coke Zero and squid ink. Read More

public art

John Ahearn Will Create Florent Morellet Monument for the High Line

Morellet. (Courtesy PMC)

Artist Florent Morellet, whose eponymous Meatpacking District restaurant served as a destination for artists, celebrities, drag queens and drug addicts alike, from its opening in 1985, when the area was still a no man’s land, through to its close in 2008, will be commemorated on the High Line with a monument designed by sculptor John Ahearn. The sculpture will be on view from this September through April 2014, joining the nine sculptures currently included in the “Busted” exhibition gracing the elevated park.

Mr. Morellet was selected via online vote, beating out the other four finalists for the sculpture (Peter Obletz, Dorothy Parker, Daniel Reddan and Magda Sawon) with more than 1,500 votes. The monument was commissioned by Friends of the High Line, the nonprofit conservancy that maintains the park and presents High Line Art, which is curated by Cecilia Alemani.  Read More

billboards

Women on the Big Screen: Elad Lassry Takes on the High Line Billboard

Elad Lassry, Women (065, 055), 2012. (Courtesy the artist and High Line Art)

When the artist Elad Lassry was asked to design an image for the billboard that overlooks the High Line park, he had to put aside some of his usual working methods. “I don’t normally do commissions,” he told The Observer over the phone from his Los Angeles studio, “or make work for a specific occasion.” But the invitation also presented an issue of scale. Normally, Mr. Lassry’s photographs are roughly 11 x 14 inches, proportions derived from a conventional headshot. Even when he presents his short films, as he did for his solo exhibition at the Whitney Museum in 2009, he projects them at roughly the same headshot size. The High Line billboard, on the other hand, is 75 x 25 feet, wider than the average IMAX screen. Read More