Review

"Dance at Bougival" (1883) by Picasso. (©2012 Museum of Fine Arts, Boston)

The Women in His Life: ‘Renoir, Impressionism and Full-Length Painting’ at The Frick Collection

Just as Fashion Week swept over New York, with lithe girls in tomorrow’s ensembles dropped on nearly every downtown block, an exhibition uniting for the first time nine large-scale figure paintings by Pierre-Auguste Renoir made its debut at the Frick Collection. The show highlights not only Renoir’s interest in the full-length, nearly life-size format, but is also a neat grouping of his depictions of the modern young woman of his time. Made between 1874 and 1885, these images capture her habits and costumes, from patent leather shoe to pleated cap, as well as the vision Renoir had of women and their role in the modern world. Read More

Review

"Pierrot and Harlequin" (1920) by Pablo Picasso. Pen and black ink with gouache on cream paper, 10 3/4 x 8 3/8 inches. (© 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

Portrait of the Artist as a Young Man: ‘Picasso’s Drawings, 1890-1921’ at the Frick Collection

Like one of his Cubist creations, Picasso would seem to have as many faces as his curators require. Despite several Picasso solo shows this year (the intellectual collage artist at MoMA, the adulterous powerhouse painter at Gagosian Gallery), the Frick has, in the early drawings, discovered yet another facet to the 20th century’s favorite artist: precocious turn-of-the-twentieth-century draftsman. Looking at Picasso through the lens of drawing, and positioning him in relation to his engagement with artists of the past during the first three decades of his career, is a clever trick for the Frick, a museum of old masters; the result is a portrait of youthful ability and intense ambition. Read More