The Museum of Fine Arts, Boston, has selected artist Sarah Braman as the winner of its 2013 Maud Morgan Prize, which is given every other year to a female Massachusetts artist “who has demonstrated creativity and vision, and who has made significant contributions to the contemporary arts landscape.” Ms. Braman, who resides in Amherst, Mass., and is a co-founder of the Lower East Side’s Canada gallery, will receive a $10,000 prize and a one-person show at the museum.
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It’s hardly been a year since Marlborough Gallery’s top director, Pierre Levai, appointed his then-23-year-old son, Max, to revive the institution’s blue-chip, but stodgy, reputation. As the new director of Marlborough Chelsea, the younger Mr. Levai has already rebranded the gallery into a youthful enterprise totally distinct from its Midtown forebear, introducing names like Robert Lazzarini, Rashaad Newsome and duo Jonah Freeman and Justin Lowe to a roster once devoted to Fernando Botero, Dale Chihuly and other established market-makers.
When Frieze plunks down on Randall’s Island next week, it won’t be the only new art fair in town. The New Art Dealers Alliance (NADA), a group founded back in 2002 by a handful of intrepid young New York art dealers, is launching its own 67-exhibitor New York event, in the former Dia Art Foundation building on West 22nd Street.
You might say NADA, an organization that now boasts some 300 members and has run an annual fair in Miami since 2003, is in expansion mode. Last summer it inaugurated a modest fair in Hudson, N.Y. And earlier this month Gallerist visited, for the purposes of leading a panel discussion, the first installment of Nada Cologne, a 33-exhibitor event that took place inside the vast, 186-exhibitor Art Cologne, which, now in its 46th edition, is the world’s oldest art fair.
In “Applied Flesh,” his first New York solo show, Nicholas Buffon uses five paintings and two incredible drawings to get a view of what it means to live in time—in the paintings, by recording the full weight of the momentary action of making a mark; and in the drawings, by diagramming the full scope of the patterns created by singular actions when they’re repeated.
WEDNESDAY FEBRUARY 8
Tour: ArtWalk Chelsea: David Zwirner, Gagosian and Gladstone
The American Federation for the Arts takes visitors on a tour of three exhibitions of three very different artists in Chelsea–Doug Wheeler, Damien Hirst and Shirin Neshat. –Michael H. Miller
Meet at David Zwirner, 519 West 19th Street, New York, 4–6 p.m., $25 for AFA members, $35 for non-members.
THURSDAY, FEBRUARY 9
Opening: “Happenings” at the Pace Gallery
Over 300 photographs document performance pieces from the movement, featuring work by Jim Dine, Simone Forti, Red Grooms, Allan Kaprow, Claes Oldenburg, Lucas Samaras, Carolee Schneemann, and Robert Whitman. Sounds like a stellar tribute to a too-short movement, and you never know, someone may stage a be-in right at the opening. –Dan Duray
The Pace Gallery, 534 West 25th Street, New York, 6-8 p.m.
“My sister started visiting Morocco a couple of years ago,” Elizabeth Bernhardt told Gallerist on the phone this morning. “She loved the carpets there, and bought one hundred on that first visit.”
The sister to whom Ms. Bernhardt’s referred is the Brooklyn painter Katherine Bernhardt, who is perhaps best known for her vigorous portraits of supermodels, all rail thin and sharply angled.