Morning Links: White Album Edition

The White Album. (Courtesy FACT gallery)

Studies show that—despite the rapid appreciation in value of works by Lucien Smith, Oscar Muillo, Israel Lund, Alex Israel and others, and the fact that dealers are selling these works months after purchase and barely a year after their creation for up to ten times what they were once worth—the art market is no more Read More

Kenny Schachter

Won’t See You Tuesday…

Imagine: artworks by stars Alex Israel, Wade Guyton and Richard Prince, laid to rest. (Rendering by Kenny Schachter).

Kenny Schachter is a London-based art dealer, curator and writer. His writing has appeared in books on architect Zaha Hadid and artists Vito Acconci and Paul Thek, and he is a contributor to the British edition of GQ. The opinions expressed here are his own.

The current resale market for contemporary art has the attention span of a teenager. To switch metaphors, it’s a nuclear hot potato. How many of today’s 25 hottest will be tomorrow’s stone coldest? It’s always in the back of my mind that the pretty young painting things of today can suddenly become progeroid, stricken by a premature aging ailment in their early market lifespans. Read More


Legendary Hairstylist Vidal Sassoon Has Died at the Age of 84

Vidal Sassoon and Alex Israel. (Courtesy the artist)

Vidal Sassoon, the hairstylist whose pioneering cuts set fashion standards in the 1960s while “fit[ting] right in with the fledgling women’s liberation movement,” according to the Associated Press, has died at the age of 84. Initial reports say that he died of natural causes. While we rarely cover hairstylists on these pages, it happens that the Los Angeles artist Alex Israel recently interviewed Sassoon for his As It Lays series, which Observer columnist Adam Lindemann reviewed last month when it screened at Reena Spaulings Fine Art on the Lower East Side. Read More

Talk Shows

Alex Israel’s ‘As It LAys,’ Fresh From the L.E.S., Will Travel to L.A., Courtesy MOCA

(Courtesy MOCA)

Jeffrey Deitch’s Museum of Contemporary Art, Los Angeles, is nothing if not of the moment. Only about a month after it ended its run at Reena Spaulings on the Lower East Side, Alex Israel’s bizarre and thoroughly pleasurable “As It LAys” video series is traveling to L.A., where it will screen on the Henson Soundstage on May 19, from 6 to 9 p.m., with a “special performance” at 7:30 p.m. The screening is being organized by MOCA. Read More


Who Is Alex Israel, and Why Should I Care?

A still from Alex Israel's "As It Lays." (Courtesy the artist and Reena Spaulings)

Alex Israel is a youngish L.A. artist whose pastel-color panel paintings look like the sets of ’80s porn flicks; they’ve been selling like hotcakes at chic galleries in Paris and Berlin. I tried to see his recent one-man show at the übercool and cutting-edge Lower East Side gallery Reena Spaulings Fine Art, but the gallery is so übercool and cutting edge that, on the Friday afternoon I chose for my visit, it wasn’t even open. In fact, the two times I have ventured to this gallery in an attempt to see an exhibition, during regular gallery hours, they have managed to have the doors locked and the lights turned off. I’d given up on writing about Mr. Israel’s work, when I realized that I could simply review his new TV show, As It LAys, the one he’s recently uploaded to You Tube and for which he created a website: This interview show, with Mr. Israel as host, reminds me of Andy Warhol’s famous “Screen Tests”: both projects are, in superficially different but actually very similar ways, forms of video portraiture. Read More