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	<title>GalleristNY &#187; The 30 Best Exhibitions of 2012</title>
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		<title>The 30 Best Exhibitions of 2012</title>

		<comments>http://galleristny.com/2012/12/the-30-best-shows-of-2012/#comments</comments>
		<pubDate>Tue, 18 Dec 2012 17:11:59 -0400</pubDate>
					<link>http://galleristny.com/2012/12/the-30-best-shows-of-2012/</link>
			<dc:creator>Andrew Russeth and Dan Duray</dc:creator>
				
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		<description><![CDATA[<p>A strange year in the New York art world, 2012 opened with Damien Hirst’s shock-and-awe <a href="http://galleristny.com/topics/spots/">Spot painting extravaganza at all 11 Gagosian galleries</a>. It came to an uncomfortable close with a <a href="http://galleristny.com/topics/hurricane-sandy/">hurricane-ravaged Chelsea</a> and <a href="http://galleristny.com/2012/12/galleristnys-complete-2012-art-basel-miami-beach-coverage/">an Art Basel Miami Beach that felt oddly unhinged</a>, excessive even by the standards of that event. In between, though, there have been some fine moments.<!--more--></p>
<p>The Whitney staged its best biennial in quite some time, and ended up <a href="http://galleristny.com/2012/07/jay-sanders-named-full-time-curator-at-the-whitney/">hiring one of its curators, Jay Sanders</a>, to focus on performance at the museum. Across the East River, <a href="http://galleristny.com/2012/09/i-didnt-actually-have-the-chance-to-eat-horse-meat-a-review-of-m-wells-dinette/">the indefatigable Klaus Biesenbach declared</a> that his museum’s new restaurant, the M. Wells Dinette, would be an example of “contemporary practice”—in effect, a work of art—and it has <a href="http://galleristny.com/2012/09/i-didnt-actually-have-the-chance-to-eat-horse-meat-a-review-of-m-wells-dinette/">more than delivered on that promise</a>. Over in Kassel, Germany (and in Kabul, Afghanistan, and Banff, Canada, and Cairo, Egypt), <a href="http://galleristny.com/2012/10/carolyn-christov-bakargievs-coffee-klatsch-documenta-devotees-take-over-downtown-patisserie/">Carolyn Christov-Bakargiev, who once served as senior curator at PS1</a>, staged a game changer of a Documenta that is likely to serve as an inspiration (and foil!) to curators for decades to come. Forgotten artists were revived in galleries and museums all over town, and a gang of young artists staked out territory in both.</p>
<p>In the slide show above, our 30 favorite exhibitions of the year.</p>
<p><em>(All images courtesy the artists and respective institutions, except where noted)</em></p>
]]></description>
		<content:encoded><![CDATA[<p>A strange year in the New York art world, 2012 opened with Damien Hirst’s shock-and-awe <a href="http://galleristny.com/topics/spots/">Spot painting extravaganza at all 11 Gagosian galleries</a>. It came to an uncomfortable close with a <a href="http://galleristny.com/topics/hurricane-sandy/">hurricane-ravaged Chelsea</a> and <a href="http://galleristny.com/2012/12/galleristnys-complete-2012-art-basel-miami-beach-coverage/">an Art Basel Miami Beach that felt oddly unhinged</a>, excessive even by the standards of that event. In between, though, there have been some fine moments.<!--more--></p>
<p>The Whitney staged its best biennial in quite some time, and ended up <a href="http://galleristny.com/2012/07/jay-sanders-named-full-time-curator-at-the-whitney/">hiring one of its curators, Jay Sanders</a>, to focus on performance at the museum. Across the East River, <a href="http://galleristny.com/2012/09/i-didnt-actually-have-the-chance-to-eat-horse-meat-a-review-of-m-wells-dinette/">the indefatigable Klaus Biesenbach declared</a> that his museum’s new restaurant, the M. Wells Dinette, would be an example of “contemporary practice”—in effect, a work of art—and it has <a href="http://galleristny.com/2012/09/i-didnt-actually-have-the-chance-to-eat-horse-meat-a-review-of-m-wells-dinette/">more than delivered on that promise</a>. Over in Kassel, Germany (and in Kabul, Afghanistan, and Banff, Canada, and Cairo, Egypt), <a href="http://galleristny.com/2012/10/carolyn-christov-bakargievs-coffee-klatsch-documenta-devotees-take-over-downtown-patisserie/">Carolyn Christov-Bakargiev, who once served as senior curator at PS1</a>, staged a game changer of a Documenta that is likely to serve as an inspiration (and foil!) to curators for decades to come. Forgotten artists were revived in galleries and museums all over town, and a gang of young artists staked out territory in both.</p>
<p>In the slide show above, our 30 favorite exhibitions of the year.</p>
<p><em>(All images courtesy the artists and respective institutions, except where noted)</em></p>
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