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The 30 Best Exhibitions of 2012

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By Andrew Russeth and Dan Duray 12/18/12 5:11pm

The Art World Game Changers of 2012

  • “Rembrandt at Work: The Great Self-Portrait From Kenwood House” at the Met
    Start The Slideshow

    A strange year in the New York art world, 2012 opened with Damien Hirst’s shock-and-awe Spot painting extravaganza at all 11 Gagosian galleries. It came to an uncomfortable close with a hurricane-ravaged Chelsea and an Art Basel Miami Beach that felt oddly unhinged, excessive even by the standards of that event. In between, though, there have been some fine moments.

    The Whitney staged its best biennial in quite some time, and ended up hiring one of its curators, Jay Sanders, to focus on performance at the museum. Across the East River, the indefatigable Klaus Biesenbach declared that his museum’s new restaurant, the M. Wells Dinette, would be an example of “contemporary practice”—in effect, a work of art—and it has more than delivered on that promise. Over in Kassel, Germany (and in Kabul, Afghanistan, and Banff, Canada, and Cairo, Egypt), Carolyn Christov-Bakargiev, who once served as senior curator at PS1, staged a game changer of a Documenta that is likely to serve as an inspiration (and foil!) to curators for decades to come. Forgotten artists were revived in galleries and museums all over town, and a gang of young artists staked out territory in both.

    In the slide show above, our 30 favorite exhibitions of the year.

    (All images courtesy the artists and respective institutions, except where noted)

  • Back Forward “Matisse: In Search of True Painting” at the Metropolitan Museum of Art

    “Matisse: In Search of True Painting” at the Metropolitan Museum of Art

    Rich with loans, this show stunned, and shared all sorts of exciting secrets about an artist we thought we already knew well. —A.R.

  • Back Forward “Rembrandt at Work: The Great Self-Portrait From Kenwood House” at the Met

    “Rembrandt at Work: The Great Self-Portrait From Kenwood House” at the Met

    Since I've never been to Kenwood House in London, I thought it was nice of them to send their Rembrandt masterpiece to New York. It was the painting’s first trip outside Europe in its 350-year existence. —A.R.

  • Back Forward “Andrea Fraser: Men on the Line: Men Committed to Feminism, KPFK, 1972” at the Museum of Modern Art

    “Andrea Fraser: Men on the Line: Men Committed to Feminism, KPFK, 1972” at the Museum of Modern Art

    It was one great year for Ms. Fraser. She gave a revelatory lecture about her work at MoMA early in the year, tearing up at points, and participated in the Whitney Biennial via an essay. Then she showed up onstage at MoMA in September as part of the museum’s “Performing Histories” show and reenacted a 30-minute radio conversation, expertly playing the role of every man in the discussion. Watching her, it felt like she was venturing off into uncharted territory. —A.R.

  • Back Forward “Inventing Abstraction, 1910–1925” at MoMA

    “Inventing Abstraction, 1910–1925” at MoMA

    This just opened to press today, but from the little time I spent in the galleries, it looks great, the sort of smart, focused and grand show that should happen more regularly in our city’s museums. And the catalogue is wonderful. Pictured is a Kupka, from 1912–13. —A.R.

  • Back Forward “Alighiero Boetti: Game Plan” at MoMA

    “Alighiero Boetti: Game Plan” at MoMA

    What was really impressive about this show was its breadth. From his famous Afghani-made world maps to the letters he sent around the world trying to reach famous dealers, to his disturbingly material readymades, to his tapestry-like pen drawings, Boetti was clearly not one to mess around with, and MoMA had it all. —D.D.

  • Back Forward M. Wells Dinette at MoMA PS1

    M. Wells Dinette at MoMA PS1

    Klaus Biesenbach may be having more fun than anyone else in the New York art world. He got his performance dome in the PS1 courtyard (and there's a second dome in the offing for relief efforts in the Rockaways) and his Kraftwerk retrospective in the MoMA atrium, and now one of his favorite restaurants is just a few feet from his office. The homemade croissant, which they warm before serving, almost—not joking—made me cry. —A.R. (Pictured is a meat pie, courtesy of lulun & kame/Flickr)

  • Back Forward “Darren Bader: Images” at MoMA PS1

    “Darren Bader: Images” at MoMA PS1

    If you didn't crack up the moment you realized the gist of "Chicken Burrito, Beef Burrito" (they were just sitting on a windowsill in an empty room, as the opening strains of Bob Dylan's "Like a Rolling Stone" played), then you're a dick. No, no, I don't want to fight about this or anything, I mainly just feel sorry for you. The cats that were sculptures were also excellent. —D.D.

  • Back Forward “Josef Albers in America: Painting on Paper” at the Morgan Library & Museum

    “Josef Albers in America: Painting on Paper” at the Morgan Library & Museum

    It turns out that, behind the scenes, while working on his iconic “Homage to the Square” series, Albers was having all sorts of fun, making rigorous, messy, freewheeling studies. I’ll never look at those chiseled fields of color the same way again. —A.R.

  • Back Forward “Tacita Dean: Five Americans” at the New Museum

    “Tacita Dean: Five Americans” at the New Museum

    Though it was just one-floor show, and the work wasn't particularly new, it was really quite something to have it all together. The tributes to Cy Twombly, a documentary where he at one point reads the Financial Times' lunchtime interview with Larry Gagosian, and Merce Cunningham were simply unreal. —D.D.

  • Back Forward “Tom Sachs: SPACE PROGRAM: MARS” at the Park Avenue Armory

    “Tom Sachs: SPACE PROGRAM: MARS” at the Park Avenue Armory

    I could get why you wouldn't like this one, but I sure did. The whole aesthetic is really enriched by there being a lot of objects all around. It's a whole ersatz universe. I see Tom Sachs as the art world's Kanye West: kind of absurd, kind of too much about partying (and almost philosophical about it) but at the end of the day extremely talented and fun. —D.D.

  • Back Forward The 2012 Whitney Biennial at the Whitney Museum of American Art

    The 2012 Whitney Biennial at the Whitney Museum of American Art

    The biennial championed humble, intimate artworks and embraced performance and dance, rewarding repeat visits. It ended with a moving set of pieces by Lutz Bacher being installed in the space that had been used for performances. Here’s hoping we get to see them together again someday. —A.R. (Pictured is a still from Wu Tsang’s Wildness film.)

  • Back Forward “Wade Guyton OS” at the Whitney

    “Wade Guyton OS” at the Whitney

    Mr. Guyton and curator Scott Rothkopf put in a remarkable performance, mounting an exhibition that amounted to a precise, persuasive argument for the artist’s importance. It’s a joy to spend some time in that airy space, particularly when lounging in the artist’s comfy couch. —A.R.

  • Back Forward “Wayne Thiebaud: A Retrospective” at Acquavella Galleries

    “Wayne Thiebaud: A Retrospective” at Acquavella Galleries

    No games, just great painting, and lots of it. What a pleasure. —A.R.

  • Back Forward “Gerald Ferguson: Work” at Canada

    “Gerald Ferguson: Work” at Canada

    Just when we thought we knew all the important conceptual artists hanging around Nova Scotia College of Art in the 1970s, Canada (the gallery) delivered this beautiful surprise of a show, which culminated in a 26-person performance of Ferguson’s deliciously chaotic piece The Standard Corpus of Present Day English Language Usage Arranged By Word Length and Alphabetized Within Word Length. —A.R.

  • Back Forward “Tauba Auerbach: Float” at Paula Cooper Gallery

    “Tauba Auerbach: Float” at Paula Cooper Gallery

    Ms. Auerbach brings surfaces to life, it's just what she does. I'm a huge fan of her book work, and this one featured unbounded scans of shaved marble in a 1 to 1 ratio. Terrific. —D.D.

  • Back Forward “Context Message” at Zach Feuer Gallery

    “Context Message” at Zach Feuer Gallery

    No group show better captured the mood of the present moment, when everyone's looking at everyone else and plotting their next move. Arrows of influence darted around the room, from one painting and generation to another. Two beautiful carpets hung in the center. The awkward Kippenberger was alone worth the trip. It felt weird. It looked great. —A.R.

  • Back Forward “Richard Avedon: Murals & Portraits” at Gagosian Gallery

    “Richard Avedon: Murals & Portraits” at Gagosian Gallery

    Avedons should always be this big, and the fact that the subjects were so impressive didn't hinder the intimacy of them at all. The image of an aged Andy Warhol lifting up his shirt to reveal his intense scars, from his shooting, will stick with me for a while. —D.D.

  • Back Forward “Frances Stark: Osservate, Leggete con me” at Gavin Brown’s Enterprise

    “Frances Stark: Osservate, Leggete con me” at Gavin Brown’s Enterprise

    Ms. Stark paired projections of post-orgasm online sex chats with opera to yield a video piece that was unrelentingly entertaining, terrifying, brazen and brave. —A.R.

  • Back Forward “Mono ha: Requiem for the Sun” at Gladstone Gallery

    “Mono ha: Requiem for the Sun” at Gladstone Gallery

    You didn't need to know much about mono ha going into this show to be blown away by it. Appreciating the Japanese take on Minimalism, with any passing knowledge of the Western version, is like admiring parallel evolution in animals. Both divergent strands feel profoundly necessary. —D.D.

  • Back Forward “Rashid Johnson: Rumble” at Hauser & Wirth

    “Rashid Johnson: Rumble” at Hauser & Wirth

    Rashid Johnson's first show with his new international powerhouse gallery was worthy of the setting. Standouts included the video in which he awkwardly tries to learn yoga. Also, excellent use of the floor. —D.D.

  • Back Forward "Daniel Turner" at the Journal Gallery

    "Daniel Turner" at the Journal Gallery

    Two battleship-sized sink units, one sprawling rusty stain. Severely, menacingly strong. —A.R.

  • Back Forward “Virginia Overton” at the Kitchen

    “Virginia Overton” at the Kitchen

    It's hard to incorporate sparsity, art history and institutional critique at the same time yet Ms. Overton did it with this show. And the whole thing looked great too. —D.D.

  • Back Forward “Frank Stella: Black, Aluminum, Copper Paintings” at L&M Arts

    “Frank Stella: Black, Aluminum, Copper Paintings” at L&M Arts

    A museum-quality show of perfect-feeling austere paintings, made when Stella was just out of Princeton. What have you done with your life this year? —D.D.

  • Back Forward “A New Novel by Bjarne Melgaard” at Luxembourg & Dayan

    “A New Novel by Bjarne Melgaard” at Luxembourg & Dayan

    Mr. Melgaard closed last year with a choice show at Maccarone, won the L.E.S. summer group show tournament at Ramiken in May and then took over L&D in November. His novel was wonderfully readable, even moving. The guy’s unstoppable. —A.R.

  • Back Forward “Robert Irwin: Dotting the I’s and Crossing the T’s: Parts I and II” at the Pace Gallery

    “Robert Irwin: Dotting the I’s and Crossing the T’s: Parts I and II” at the Pace Gallery

    Whether slicing a hole in a Midtown gallery window or showing just three almost-invisible acrylic columns for a whole show, Mr. Irwin showed that he still has it. Let’s hope the title of these exhibitions doesn’t mean he’s retiring. —A.R.

  • Back Forward “Thomas Kovachevich: Alpenglow” at Show Room

    “Thomas Kovachevich: Alpenglow” at Show Room

    Mr. Kovachevich made some of this year’s finest artworks with nothing more than gummed white packing tape and grosgrain ribbon. They changed shape in the weather, like flowers—humble materials forging bigtime returns. —A.R.

  • Back Forward “Ei Arakawa and Nora Schultz: Social Scarecrows Printing Fields” at Reena Spaulings Fine Art

    “Ei Arakawa and Nora Schultz: Social Scarecrows Printing Fields” at Reena Spaulings Fine Art

    I’d happily show up to watch Mr. Arakawa do just about anything: mow the lawn, do the dishes, even read the phonebook. He’s a master interloper—our Picabia!—bringing an insouciant joy to any artistic proceeding, whether bending a metal plank at MoMA in May, dancing in the streets of Tokyo for a Kerstin Brätsch film (shown in her superb show at Gavin Brown in September) or, at Reena, happily dousing dolls in perfume, and then making them dance and paint. Ms. Schultz, for her part, coming off a strong summer show at Portikus, has positioned herself as one of today's great process painters. What will they cook up next? —A.R.

  • Back Forward “John Armleder: Selected Furniture Sculptures 1979–2012” at the Swiss Institute

    “John Armleder: Selected Furniture Sculptures 1979–2012” at the Swiss Institute

    The readymade was everywhere this year, but this spare, handsome show, curated by Gianni Jetzer, revealed that Mr. Armleder has for decades been its ablest purveyor, its golden god. —A.R.

  • Back Forward “Mike Kelley: 1954–2012” at the Watermill Center

    “Mike Kelley: 1954–2012” at the Watermill Center

    Kelley's suicide rocked the art world this year and Watermill's tribute was a stirring salute to his prescience as an artist. Rather than focus on the better-known stuffed animal pieces, the Watermill show focused on Kelleys's lo-fi videos, clear antecedents to the frenetic work of cutting-edge video artists like Ryan Trecartin, and his lonely Candor statues. Down to the Kelley-designed wallpaper, it was Kelley through and through. —D.D.

  • Back “Diana Thater: Chernobyl” at David Zwirner

    “Diana Thater: Chernobyl” at David Zwirner

    Just one week after Hurricane Sandy hammered Chelsea, David Zwirner's 19th Street space was able to sustain a show, and the team couldn't have picked a better project for the moment. This six-screen video took us to the ruins around the Ukrainian nuclear plant just as Chelsea was in the throes of its own devasation. Talk about your relational aesthetics. It was bleak but it's mere existence so early on seemed to say that Chelsea would march on. —D.D.

Comments

  1. We Open Art Houses (WOAH) says:
    December 19, 2012 at 1:34 pm

    Reblogged this on We Open Art Houses (WOAH) and commented:
    GalleristNY.com has concocted this list for “The 30 Best Exhibitions of 2012″…Granted this profile is limited to NYC shows and happenings albeit for a few listings. West coast show tops, anyone?

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