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	<title>GalleristNY &#187; &#8216;Flamboyant Baroness&#8217; Raises Hackles in Spain Over Constable Sale </title>
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		<title>GalleristNY &#187; &#8216;Flamboyant Baroness&#8217; Raises Hackles in Spain Over Constable Sale </title>
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		<title>&#8216;Flamboyant Baroness&#8217; Raises Hackles in Spain Over Constable Sale</title>

		<comments>http://galleristny.com/2012/07/flamboyant-baroness-raises-hackles-in-spain-over-constable-sale/#comments</comments>
		<pubDate>Mon, 02 Jul 2012 11:28:50 -0400</pubDate>
					<link>http://galleristny.com/2012/07/flamboyant-baroness-raises-hackles-in-spain-over-constable-sale/</link>
			<dc:creator>Dan Duray</dc:creator>
				
		<guid isPermaLink="false">http://galleristny.com/?p=26336</guid>
		<description><![CDATA[<p><div id="attachment_26340" class="wp-caption alignleft" style="width: 310px"><a href="http://nyogalleristny.files.wordpress.com/2012/07/john-constable-the-lock-0081.jpg"><img class="size-full wp-image-26340" title="john-constable-the-lock-0081" src="http://nyogalleristny.files.wordpress.com/2012/07/john-constable-the-lock-0081.jpg" alt="" width="300" height="180" /></a><p class="wp-caption-text">"The Lock." (Courtesy The Guardian)</p></div></p>
<p>Tomorrow, Christie's London will sell John Constable's <em>The Lock</em> (1824), which is expected to make between $31 million and $39 million and has a shot at becoming the most expensive work by a British artist ever sold at auction.<!--more--></p>
<p>It's not all sunny, though. <em>The Daily Telegraph</em> <a href="http://www.telegraph.co.uk/culture/art/art-news/9368626/Protest-in-Spain-at-Christies-sale-of-John-Constables-The-Lock.html">reports </a>that the painting's seller, Baroness Carmen Thyssen-Bornemisza, a 69-year-old firecracker who goes by "Tita," has caused headaches in Spain over her decision to sell the work due to "liquidity" problems.</p>
<p>The move caused Sir Norman Rosenthal, former exhibitions director at London's Royal Academy, to resign as trustee of the Madrid museum.</p>
<p>Tita still owns some 250 private works that she loans freely to Spanish institutions, but, Sir Norman wrote in the leading Spanish daily <em>El Pais, </em>"I am afraid I have to say in my humble opinion she has little or no understanding of art history or of genuine artistic importance in the context of the museum."</p>
<p>Worse still, she may not even make a profit! The <em>Financial Times</em> recently <a href="http://galleristny.com/2012/06/the-ft-crunches-the-numbers-on-constable/">concluded that</a>, taking into account inflation and the insurance costs, the painting would have to sell for $93 million or more to mean a return on investment for Tita.</p>
]]></description>
		<content:encoded><![CDATA[<p><div id="attachment_26340" class="wp-caption alignleft" style="width: 310px"><a href="http://nyogalleristny.files.wordpress.com/2012/07/john-constable-the-lock-0081.jpg"><img class="size-full wp-image-26340" title="john-constable-the-lock-0081" src="http://nyogalleristny.files.wordpress.com/2012/07/john-constable-the-lock-0081.jpg" alt="" width="300" height="180" /></a><p class="wp-caption-text">"The Lock." (Courtesy The Guardian)</p></div></p>
<p>Tomorrow, Christie's London will sell John Constable's <em>The Lock</em> (1824), which is expected to make between $31 million and $39 million and has a shot at becoming the most expensive work by a British artist ever sold at auction.<!--more--></p>
<p>It's not all sunny, though. <em>The Daily Telegraph</em> <a href="http://www.telegraph.co.uk/culture/art/art-news/9368626/Protest-in-Spain-at-Christies-sale-of-John-Constables-The-Lock.html">reports </a>that the painting's seller, Baroness Carmen Thyssen-Bornemisza, a 69-year-old firecracker who goes by "Tita," has caused headaches in Spain over her decision to sell the work due to "liquidity" problems.</p>
<p>The move caused Sir Norman Rosenthal, former exhibitions director at London's Royal Academy, to resign as trustee of the Madrid museum.</p>
<p>Tita still owns some 250 private works that she loans freely to Spanish institutions, but, Sir Norman wrote in the leading Spanish daily <em>El Pais, </em>"I am afraid I have to say in my humble opinion she has little or no understanding of art history or of genuine artistic importance in the context of the museum."</p>
<p>Worse still, she may not even make a profit! The <em>Financial Times</em> recently <a href="http://galleristny.com/2012/06/the-ft-crunches-the-numbers-on-constable/">concluded that</a>, taking into account inflation and the insurance costs, the painting would have to sell for $93 million or more to mean a return on investment for Tita.</p>
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