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	<title>GalleristNY &#187; Gagosian London Plans Henry Moore Show</title>
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		<title>Gagosian London Plans Henry Moore Show</title>

		<comments>http://galleristny.com/2012/04/gagosian-london-plans-henry-moore-show/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 18:09:40 -0400</pubDate>
					<link>http://galleristny.com/2012/04/gagosian-london-plans-henry-moore-show/</link>
			<dc:creator>Dan Duray</dc:creator>
				
		<guid isPermaLink="false">http://www.galleristny.com/?p=17440</guid>
		<description><![CDATA[<p><div id="attachment_17442" class="wp-caption alignleft" style="width: 310px"><a href="http://nyogalleristny.files.wordpress.com/2012/04/138081022.jpg"><img class="size-medium wp-image-17442" title="Christie's Unveils Impressionist And Modern Art Works From The Collection Of Elizabeth Taylor For Auction" src="http://nyogalleristny.files.wordpress.com/2012/04/138081022.jpg?w=300&h=185" alt="" width="300" height="185" /></a><p class="wp-caption-text">"Reclining Figure: Festival" (1951) (Courtesy Getty Images)</p></div></p>
<p>Gagosian gallery is planning a major exhibition of the sculptor Henry Moore that will open at its Britannia Street gallery in late May. The show will feature some of the artist's large-scale sculptures, many shown indoors for the first time.<!--more--></p>
<p>We first heard of the exhibit from <a href="http://www.artlyst.com/articles/gagosian-plans-massive-henry-moore-exhibition">Artlyst</a> which described a few of the key pieces for the show:</p>
<blockquote><p>In <em>Two Piece Reclining Figure No. 2 (</em>1960) the rough texture of the patinated dark surface infuses the large corpus with a certain brutalism, the stunted head and blocky limbs akin to arched geological formations, weathered from time immemorial. <em>Reclining Figure: Hand</em> (1979) is immediately identifiable as a human form despite its modulated stylization; the softly rounded, cloud-like body attests to Moore’s more exploratory impulses when compared to <em>Large Four Piece Reclining Figure</em> (1972-1973) and <em>Reclining Connected Forms</em> (1969), where he alludes to body parts using the vocabulary of mechanical components.<em>Large Two Forms</em> (1966) and <em>Large Spindle Piece</em> (1974) evidence an interest in both natural and man-made objects.</p></blockquote>
<p>Last month, Moore scored a new artist record with his <em>Reclining Figure: Festival</em> (1951) selling for $30 million at Christie's in London. That piece beat Moore's second-highest price significantly, that one selling for $8 million in 2008, according to Artnet.</p>
<p>The Gagosian show runs from May 31 to August 18.</p>
]]></description>
		<content:encoded><![CDATA[<p><div id="attachment_17442" class="wp-caption alignleft" style="width: 310px"><a href="http://nyogalleristny.files.wordpress.com/2012/04/138081022.jpg"><img class="size-medium wp-image-17442" title="Christie's Unveils Impressionist And Modern Art Works From The Collection Of Elizabeth Taylor For Auction" src="http://nyogalleristny.files.wordpress.com/2012/04/138081022.jpg?w=300&h=185" alt="" width="300" height="185" /></a><p class="wp-caption-text">"Reclining Figure: Festival" (1951) (Courtesy Getty Images)</p></div></p>
<p>Gagosian gallery is planning a major exhibition of the sculptor Henry Moore that will open at its Britannia Street gallery in late May. The show will feature some of the artist's large-scale sculptures, many shown indoors for the first time.<!--more--></p>
<p>We first heard of the exhibit from <a href="http://www.artlyst.com/articles/gagosian-plans-massive-henry-moore-exhibition">Artlyst</a> which described a few of the key pieces for the show:</p>
<blockquote><p>In <em>Two Piece Reclining Figure No. 2 (</em>1960) the rough texture of the patinated dark surface infuses the large corpus with a certain brutalism, the stunted head and blocky limbs akin to arched geological formations, weathered from time immemorial. <em>Reclining Figure: Hand</em> (1979) is immediately identifiable as a human form despite its modulated stylization; the softly rounded, cloud-like body attests to Moore’s more exploratory impulses when compared to <em>Large Four Piece Reclining Figure</em> (1972-1973) and <em>Reclining Connected Forms</em> (1969), where he alludes to body parts using the vocabulary of mechanical components.<em>Large Two Forms</em> (1966) and <em>Large Spindle Piece</em> (1974) evidence an interest in both natural and man-made objects.</p></blockquote>
<p>Last month, Moore scored a new artist record with his <em>Reclining Figure: Festival</em> (1951) selling for $30 million at Christie's in London. That piece beat Moore's second-highest price significantly, that one selling for $8 million in 2008, according to Artnet.</p>
<p>The Gagosian show runs from May 31 to August 18.</p>
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